II High School Week 1963 Group

Top Row 4: 4:2 Sandy Heston, 4:3 Larry Zumwalt, 4:4 Woody Fisher, 4:6 Ron Lambert, 4:7 Lynn McFarland, 4:9 George McCarty, 4:12 Paul Sidwell, 4:13 Wayne Black, 4:15 Lloyd Grafford, 4:16 Art Jordan

Row 3: 3:4 Janet Cothern, 3:5 Gayle Wakefield, 3:6 Terry O'Dell, 3:7 Sue Burris, 3:9 Becky Huck, 3:10 Linda Harris, 3:12 Ruth Huck, 3:12 Steel Twin, 3:13 Steele Twin, 3:14 Diane Jackson

Row 2: 2:2 David Hargrave, 2:3 Kay Wiseman, 2:6 Ruth Blankenship, 2:7 Linda Stovall, 2:9 Sandy Revisky, 2:10 Butch ?

Row 1: 1:6 Barb Haley, 1:7 Normae Dorsch, 1:8 Mickey Dildine, 1:9 Sue Harris, 1:12 Joyce Maines, 1:13 Dolly Black

Life Recruit Week, 1963 Rare color photos.

On the right in stripes is Diane Jackson

1:6 Barbara Haley, 1:7 Normae Dorsch, 1:8 Mickey Dildine, 1:9 Sue Harris, 1:12 Joyce Mains,1:23 Dolly Black 2:1 Cindy Hardin (?), 2:2 David Hargrave, 2:3 Kay Wiseman, 2:6 Ruth Blankenship, 2:7 Linda Stovall, 2:9 Sandy Revisky,The rest treated as one staggered row, ...3:3 Judy Feher, 3:5 Janet Cothern, 3:6 Sandi Heston, 3:7 Gayle Wakefield, 2:8 Terry O'Dell, 3:9 Larry Zumwalt,3:10 Susan Burris(?), 3:11 Woody Fisher, 3:14 Becky Huck, 3:17 Linda Harris behind her Lynn McFarland, 3:19 Ruth Huck, 3:20 George McCarty, 3:24 Steele twin, 3:25 Wayne Black, 3:26 Steele twin

Yellow shirt kid is Wayne Black. To his right and behind, the darkhaired kid in white whirt and black pants and loafers is Rick Coget.

l-r Ronnie Volkmar, Karla Knichel, Terri O'Dell, Cindy Hardin, ???

Luke Perrine teaching. Frony row, yellow shirt is Wayne Black, red sweatshirt on end of row is George McCarty. 3rd row boy with glasses is Dan Clymer. Boy and Girl on right of that row are Gayle Wakefield and Terry O'Dell.

Wayne Black in yellow, George McCarty in red on right end. Dan Clymer in center with glasses. Dark headed boy way in the back is Tim Callison.

It is possible these are shots of a Life Recruit Week. These came from colored negatives that have had some rough treatment. I guess I should be surprised that all these negatives have survived, not only the years, but three moves. - Frank Bush It isn't that color wasn't available, but Frank took most shots in black and white so they could be used in publicity materials, and so it was easier to develop in the basement darkroom at the parsonage in Greenville.